Tapestry decorate our walls and allow us to travel to different universes. Used since antiquity, tapestries transform a house into a home, an empty space into a feeling. Tapestries look at our lives calmly, their voice is versatile and patient. And enduring.

‘Tapestry’, Thai silk 120x200 cm, Color and Japanese yellow (Shibuki) stencil-dye. Origami motifs create a cascade of colors and bring us to a magic world with a single paper. Origami appeals to all of us irrespective of age, location, or culture. It is universal because all of us have folded a paper engaging our mind and hands, while creating wonderful forms.

‘Tapestry’, Japanese silk 70x180 cm, Color and Japanese yellow (Shibuki) stencil-dye.

The design of this tapestry is a traditional flower pattern (Karakusa). The colorful flowers rest in a reassuring Japanese yellow background that brings harmony to the work.

‘Tapestry’, Cotton and linen 120x60 cm, Color and Japanese yellow (Shibuki) stencil-dye.

Some lines of burgundy and red color define the whole silhouette of the beetroots. The exuberant greens of the foliage contrast with the calm shibuki-color background. It is mid-summer in the vegetable plot.

‘Tapestry’, Korean linen 40x200 cm, Color and indigo stencil-dye. The repetitive pattern is framed into an indigo background. By so doing, the internal design floats and becomes prominent.

‘Tapestry’, Korean linen 40x200 cm, Color and Japanese yellow (Shibuki) stencil-dye.

The repetitive pattern is framed into a Japanese yellow background. By so doing, the internal design vanishes in the background melting itself into a harmonious composition.

‘Tapestry’, Indian Cotton 120x200 cm, Indigo dye. This tapestry serves as a transition between two spaces rather than as a display against a wall. Therefore, it is dyed on both sides. A young rabbit enjoys the full moon at the end of June.

‘Wave 1’, Indian raw silk 270x130 cm, Colors and indigo dyeing.

In this 'Waves' series, I produce distinct impressions by using various dimensions and types of textiles (linen, raw silk), with different color combinations and finishing.

'Wave 1' conveys energy and dynamism, in contrast with 'Wave 2', calmer and quieter. The finishing of 'Wave 4' –a fine embroidery– adds formality to the work. Works 1, 2, and 4, share same indigo base and same design. Yet, due to the variation in the motifs’ coloring, and in the textile base these works come out as quite different!

'Wave 3' and 'Wave 5' convey a fresher impression thanks to the base color (Japanese yellow and Japanese ‘vero’) used; and to the linen textile.

‘Wave 2’, Indian raw silk, double panelled 220x140 cm, Indigo dyeing.

‘Waves 3’, Korean linen, double panelled 220x120 cm, Colors and Japanese yellow (Shibuki iro) dyeing.

‘Waves 4’, Indian raw silk, hand woven 145x120 cm, Indigo dyeing, hand knotted base.

‘Waves 5’, Korean linen, double paneled 220x120 cm. Colors on blue (vero) colored base dyeing.

‘Flying nature 1’, Korean linen, double paneled, 220x110 cm. Colors on light blue (vero) base dyeing. The ‘Flying Nature’ series convey a still and dynamic balance respectively due to the coloring of the base and the type of textile used. In ‘Flying Nature 1’ I used Korean linen and a harmonious color base that produce a calm effect.

‘Flying nature 2’, Indian silk 250x120 cm. Colors dyeing. Contrary to ‘Flying Nature 1’, in ‘Flying Nature 2’ I used raw silk and a vibrant pink base, with a much tonic and vivid outcome.

‘Spring’, Korean linen, double paneled 110x140 cm Colors dyeing. Everything is bright in this early morning. Butterflies, fans, flowers, and forms float candidly in the air.

‘Dahlias’, Japanese silk 210x39 cm. Colors and indigo dyeing. As flowers in Nature, identical is a rare attribute, beautiful is a common one!